Celso Piña- Mundo Colombia (2002)

Following his album Barrio Bravo, Celso Pina continues his voyage into exploring the Afro-Carribean roots of Cumbia while forging a progressive new sound for the genre. His music is simply the the best produced Cumbia today, and his sound is miles above most of the competition. Innovative and progressive, he seemlessly fuses his sound with Reggae and Afro-Latin percussion. He does this while referencing the Columbian Cumbia that is the at the root of his music, and the result is nothing short of astounding. In a genre that has grown conservative, and too often gets stuck in the monotony of its repetative beat, Celso tears the roof off what Cumbia is supposed to be, and offers something that will have the party rockin' till sunrise. Cumbia heads shaking in disbelief well into the decade.

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Celso Piña- Barrio Bravo (2001)

In 2001 Barrio Bravo became one of the most exciting alternative records in the Latin scene, comprising Celso Piña's well-known combination of Colombian Cumbia, vallenato, and Mexican traditional rhythms. In addition, the talented accordionist recorded with urban and Latin rock numbers such as Control Machete, Café Tacuba, El Gran Silencio, Santa Sabina, and Resorte, among others, achieving an interesting work to celebrate Celso Piña's 20th career anniversary. This was anticipated with the hit single "Cumbia Sobre El Rio," performed by himself, Control Machete's Pato, and Blanquito Man from King Changó. Enjoy

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